logo

62 pages 2 hours read

Anna Deavere Smith

Twilight: Los Angeles, 1992

Fiction | Play | Adult | Published in 1994

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Act IVChapter Summaries & Analyses

Act IV: "Twilight"

Act IV, Voice 1 Summary: “Long Day’s Journey into Night”

The voice in this section is Peter Sellars, Director, Los Angeles Festival.Sellars, a man in the business of theater, draws attention yet again to the overlapping of the entertainment and information industries, and the inherent element of sensation that defined the entire Rodney King affair. Taking a high-minded approach, one appropriate to his calling, Sellars makes a running comparison between the riots and Eugene O’Neill’s great American tragedy, Long Day’s Journey into Night, in which a household is beset by the whims and weaknesses of a self-centered patriarch. The problem, Sellars insists, is “This isn’t somebody else’s house, it’s our own house. This is the city we are living in. It’s our house […] start a fire in the basement and, you know, nobody’s gonna be left on the top floor. It’s one house. And shutting the door in your room, it doesn’t matter” (200). Sellars depicts the failure of the American dream, along with the failure of people to realize it is a shared dream in which all rise or get “incinerated” together.

 

The title of this section refers to Eugene O’Neill’s great American tragedy, Long Day’s Journey into Night, “the classic play about the American dream” (200).

blurred text
blurred text
blurred text
blurred text
blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 62 pages of this Study Guide
Plus, gain access to 8,550+ more expert-written Study Guides.
Including features:
+ Mobile App
+ Printable PDF
+ Literary AI Tools

Related Titles

By Anna Deavere Smith